Monday, October 20, 2014

MUCH MORE THAN A COLISEUM


Beyond the famed coliseum is a place where fun, retail, entertainment and more meet.
By BG Abellanosa

As the Philippines’ version of the Madison Square Garden, the Araneta Center has been the place where memorable events, big and small, have taken place since the day your parents were born. You might be familiar with some of these such as the “Thrilla in Manila” in 1975
or the World Wrestling Entertainment’s (WWE) Champions Showcase Tour in 2012. Or you might probably have seen one of the UAAP basketball games held here ever so often. Your favorite artists like Taylor Swift, Lady Gaga Bruno Mars and my personal favorite: Vice Ganda have played sold out concerts in Araneta as well.

If you think Araneta is simply the place to go to whenever there are big things happening (i.e. international concerts, basketball games, boxing matches, etc.), oh boy are you missing a lot! Because beyond the Coliseum, Araneta Center is a very cool place to hang out with your friends, spend time with your loved ones and basically do whatever it is you want to do. 

As its name implies, the Araneta Center had its beginnings when Mr. Amado Araneta bought the 35 hectare property in 1952. At the centerpiece of this property is the Araneta Coliseum (aka The Big Dome) which cost about P6 million to build and was, at the time, the largest covered coliseum in the world.

TIME CHANGES
Nagtitinda na ako sa area’ng to nung nag construction pa sa coliseum,” Manong Gabby, a street vendor, said. “Nagbago na ang panahon.” Time has indeed changed Araneta. Slowly but surely, Araneta Center has grown from just the Coliseum to a place sprawling with malls. “It makes sense from a business perspective if you think about it,” said Ma’am Gloria of the Araneta Group. “The events in Araneta bring a lot of people here. More people means more business opportunities.” In fact, Ma’am Gloria pointed out, Araneta Center brings in about 750,000 visitors every day. 

THE ALI
Ma’am Gloria was also proud to point out that Araneta Center is the location of the country’s very first shopping mall: the Ali Mall. Built in 1976, the Ali Mall was named after the famous boxer, Muhammad Ali. After his win against Joe Frazier in the Thrilla, Ali, in a speech, requested that a shopping center be built near the Big Dome in his honor. 

Don’t let its age fool you, though. The Ali Mall may be the country’s first shopping mall, but its age doesn’t show. It is still one of the major malls in Araneta with over a hundred different stores and restaurants. Want to watch a movie? Ali Mall has a theater place. Looking for a shoe, but can’t seem to decide on what you’re looking for? The Shoe Center has a large collection of shoes you can choose from. Feeling hungry? There are a lot of restaurants to choose from that you’ll never run out of options!

GATE TO THE FUTURE
If indeed you’re looking for something fresh or new, there’s the Gateway Mall. Opened in 2004, the Gateway Mall was developed and is managed by the Araneta Group. Getting to Gateway is relatively easy because it is interconnected with the Coliseum, making it fast and easy to travel between both places. 
Comprised of 5 floors, the Gateway Mall has A LOT of places you can go to. If you’re sick of the urban feel in Araneta, there’s a garden place that houses a lot of restaurants. It has a La-Z-Boy theater (those comfy furniture chairs you can lie on), it also has the country’s largest National Bookstore which should take up a lot of your time if you took the time to explore it. There’s also the newly opened Gateway Tower which adds a lot of mall space to the already large mall.



THE FUTURE
May mga constructions pa rin dito kahit na matagal nang nandito ang Araneta,” Manong Gabby mentioned, pointing at the construction sites all around the Center. It’s worth mentioning that after more than 50 years since the Big Dome first opened its doors, the Araneta Center is still growing. In fact, it is in the middle of an “extreme transformation”. According to an article from GMA News, the Araneta group will spend at least P30 billion pesos(yes, with a ‘b’) to expand the existing malls, build walkways that connect the buildings to each other and construct hotels so that guests can spend more time to explore Araneta Center- because honestly, who can finish exploring the Center in a day?


There were a lot of places I wish I could’ve explored more- the Aurora Tower and the department store occupying the first few levels, the Farmers Market and Farmers Plaza, too- but alas, the Araneta Center is too big a place for me to finish in a day. The thought of the Araneta Center still growing is both scary and exciting. Scary because a place this big can still get bigger, and exciting because the planned expansions promise to make your experiences in the Center even better. Try going to Araneta with your friends or family and check all the places out. Trust me, it’ll be an adventure.

Launching the “Kryptonite” on the Stage


Ashley’s Kryptonite’s First Own EP Launch and Own Gig, and Struggles as an Indie Band
by Elija Y. Torre

          It was raining in the evening of July 26. Apart from the uneasiness that you would feel from getting partly wet, the traffic jam along Tandang Sora Ave. would also add up to your stress. All these hassles were all endured by the people who went to the Celebrity Sports Club that night. Inside the studio bar of the sports plaza was where they all gathered. As you approach that room, you can already hear the plucking of the electric guitar, the strumming of the lower frequency of the bass, the rhythm that the drummer makes as he landed his sticks on the drums, and the punky voice of the vocalist. Of course, the crowd, some were sitting but most were standing, made their presence felt through their enthusiastic cheers. They were all there in that bar to support one of the would-be-most-important nights for the Ashley's Kryptonite.
          But wait. What is Ashley's Kryptonite?
          It is actually a band name of an independent band consisting of Sage Ilagan (lead vocal/guitarist), Red Dimaano (bassist), Cholo Ledesma (drummer), and Josh Jimenez (guitarist). According to Sage, "We started as friends. It was in our club, Ateneo Children’s Theater that we discovered our musical talents and decided to jam." However, he said that it was in high school that they formally called themselves as Ashley's Kryptonite, thus becoming a band.
          You may also ask, what was so special in that evening. That night, the band actually launched their first EP (a collection of some of their original songs). And that was also their first own production as a band. 


Independently Produced Gig
          According to Sage, they have already performed in many gigs, presumably to some school concerts and band contests as well as benefit concerts. But this time, they were not only one of the performers, they were also the organizers.
          “The launch was the culmination of the three years of hard work and experiences we've gone through”, Sage noted about the importance of the event to them. “It tested our skills not only as musicians but as organizers too.” The event also became their application ground of their skills in production management as former members of a theater organization. “It was very challenging, but we pushed through to make the event successful”, he said.
          Their efforts paid off through the sold out copies of their EP at the end of the event. The band promised to release another set  of copies should someone request for it.

The Guest Performers

Pauline Rana singing acoustic songs with her guitar.

          Even though the event was organized for the celebration of the success of Ashleys' Kryptonite, it also showcased other independent musicians that are friends with the band members. The guest performers composed of two bands namely, Chairman Mouse and Yurei, and solo artists such as Emil Apostol and Pauline Rana.
          The four walls of the bar reverberated "punk rock" songs of the bands Chairman Mouse and Yurei. It was Chairman Mouse which initialized the rock scene to the event. However, it was Yurei which made the younger crowd to get up from the comfort of their chairs and started jumping, while waving their hands up. Yurei’s lead vocalist, Itos Ledesma, with his "punkish" yet smooth vocalization was what gained the cheers even from the much older audience.
          Since the event was organized by a rock band, "Is it going to be a mini-rock concert?”. But it was not. Ashley's Kryptonite managed to invite other musicians that brought another kind of music. Emil Apostol, a saxophonist, throw backed through covering some oldies with his sax. When he played his version of "Careless Whisper", the "wooh"-ing of the crowd got louder. But it was the last of the guest performers that let the audience taste music that just a right mix with the cold weather. The combination of Pauline Rana's mellow strumming of her acoustic guitar, her voice, and her love songs quite created a soothing atmosphere inside the bar. We rested our ears from the loud music earlier through the jazzy and acoustic sounds of Emil and Pauline.

Emil Apostol with his sax
 

The “Kryptonite” of the Stage
Ashley's Kryptonite. From the left: Red, Sage, and Josh
          When the Ashley’s Kryptonite finally came to the stage, the audience became more excited. The cheering got louder when the tune of a familiar OPM song, “Tadhana” by Up Dharma Down, was used as a soundcheck. Even though it was already 10 in the evening, the people inside the bar were very lively. The crowd, especially those that are standing near the stage, started singing with Sage. It was like they knew every song the band performed.
          They performed their original songs, three of which may be found on their EP: "Number One Fan", "Clara", and their more famous one, "Katrina", in which the cheering and the singing of the crowd was the loudest. The others were the songs they frequently used in their gigs like "Disco Ball", "Prom" and the like. "Discoball" was actually performed as a mashup with four other known foreign songs: "Latch" and "F for You, "Disclosure", "Levels", "Treasure", and "Let It Go". Cholo, the drummer, had a vocal part on "Latch", while Emil was blowing his sax throughout the medley.
          “Their different renditions of their more popular songs like ‘Discoball’ and ‘Amnesia’ really made almost 90+ [of the audience] sing along and even tear up from the back”, said Gab Orlina, a friend of the band members. “Overall, the band was excellent in their 7-8 song set, and they didn’t disappoint the almost 100+ people who went to their EP Launch.”
          Compared to the other performances in the event, the band mixed their genre from punk rock to pop and acoustic. Sage's voice was a little bit less punky, and instead, he focused on reaching high notes. They also opted to perform acoustic version of their songs with slow beating of drums and keyboards instead of guitars. Through this, the band was able to combine the opposing mood of rock and mellow music, as if their performance was a synthesis of the earlier numbers. 
          
Sage singing one of their songs.
Aside from the band’s obvious musicality, they were appealing to the audience because of how they were on stage. With their facial expressions and gestures while each of the band members is busy with his instruments and voice, they effectively translate the message of each of the songs they play. They are musicians indeed, yet they are also performers. “Our theater background gives us an edge in communicating well with the audience”, Sage said. Also, he noted that the singing of the audience while they were performing was actually the result of the band’s “intimate interaction” with the crowd.
          “They were incredible and full of energy, as usual. The night went on and one would expect that  they would lose their energy, even just a little bit, but their performance proved that they are consistent and that they could also level with, to some extent, even exceed, the crowd’s enthusiasm”, remarked Ms. Ace Marra, high school teacher of Sage, Red, and Cholo. 

The Struggle of the Indie Music Scene
          It is true that despite their remarkable talents, indie bands like Ashley’s Kryptonite are having a hard time reaching out to a greater audience to share their music. As an indie band member, Sage noted that one reason for this struggle is that local radio stations, which have the big part in the promotions through the airplay of the songs, fail to feature songs created by indie bands. “[As a] result, the lack of exposure for these bands means less people [appreciating] and [supporting] them and their music”, Sage said.
          Ms. Ace Marra, who is coincidentally a fan of OPM and Pinoy indie bands, also remarked the same problems of the local radio. “They focus on foreign artists or Pinoy novelty singers instead”. Moreover, she noted the other problem, which is the capitalization of big record companies on fame: “They [record companies] could record dozens of albums for famous actors and actresses who try to enter the music industry, but they wouldn’t risk their capital for a budding talented band.”

one might ask, "Is it going to be a mini-rock concert?”. But it was not. Ashley's Kryptonite managed to invite other musicians that brought another kind of music. Emil Apostol, a saxophonist, throw backed
through covering some oldies with his sax. When he played his version of "Careless Whisper", the "wooh"-ing of the crowd got louder. But it was the last of the guest performers that let the audience
taste music that just a right mix with the cold weather. The combination of Pauline Rana's mellow strumming of her acoustic guitar, her voice, and her love songs quite created a soothing atmosphere inside the bar. We rested our ears from the loud music earlier through the jazzy and acoustic sounds of Emil and Pauline.


          Despite the small crowd that cheered them in one of the special events for them as a band, what matters to them is that they know that still, there are people who support their music, the indie bands, and the OPM. Sage said, “It is important to support independent bands for them to keep making music. Producing music costs a lot of money, and without enough resources to produce music, these bands would cease to create what we enjoy listening to now. Supporting them in ways like going to their gigs or buying their EPs is already a big help for them and the whole music scene as well”.
          As a constant listener of OPM and some less recognized bands in the Philippines, Ms. Marra gave some advice to indie bands: “There is no assurance that everyone would like the indie scene, but having it present and accessible to the common Filipino listener would at least give them the option and opportunity to hear and enjoy new music.”


          While it is true that there are some people who are really fans of independent bands, it can’t be denied that these bands are still struggling with the fact that only a small number of people appreciate the kind of music that they offer. As Ms. Marra suggests, these indie bands should reach out to the people, but when these bands did, would the people do their part?

LEGALLY ARTISTIC, ARTISTICALLY LEGAL


By Generoso Ignacio S. Jacinto 



After waiting for a couple of minutes, you are finally seated by the lady in a corner with a table good for two people. As you sit and make yourself comfortable, you look around and try to drink in your surroundings. A quiet coffee shop in Shang, cosy in a sense, very conducive to studying, you think. As you look around more, you see that the seats are mostly occupied by either solitary students poring through thick books, or corporate looking gentlemen discussing matters over a cup of coffee.  You take note of these details and try to recall the few times you have met the gentleman you will be interviewing. It seems to meet your expectation of a lawyer. He would most likely want to work in a silent place as he finishes his work.

You try to keep the mindset that you will be meeting this person in a totally different perspective. This time, your meeting won’t be personal. This time, it will be purely professional. Suddenly, you hear someone call your name. You turn around and see a man with arms outstretched, smiling at you. So much for the “mindset” you wanted to keep. As you both sit down, you look at him closely. He does not exactly meet your professor’s “he must be a serious person” theory. But then you think looks can be deceiving. It doesn’t mean that he is wearing a bright colored polo shirt and rubber shoes, he isn’t serious. Right? There are a thousand reasons why he chose to wear that certain outfit for this interview. You shake away these thoughts and try once more to keep a clear head on who you are interviewing. He is, after all, Atty. FD Nicolas B. Pichay, a lawyer and a creative writer at the same time.

Back when you were considering who to interview for this feature article, Atty. Nick already came into your mind. You thought back then that he would be a good person to feature in the field of arts and culture. You even had the perfect angle for your article: how a person practicing a very serious profession such as law can manage to be at the same time a multi-awarded creative writer, creating literary pieces which are not at all that serious. It seems very paradoxical, and you wanted to be the one to tell the world his secret. But then you thought, you probably have to know more about him before his lawyer and creative writer phase to fully understand how he managed to harmonize both fields.

BACK TO WHERE IT ALL BEGAN
You take note that Atty. Nick is very open about his childhood. He said that although originally from Linay, Zamboanga (where his family moved from the Ilocos region), he grew up with his Tiyang Caring, the sister of his father, in Metro Manila. He was sent to Manila, despite being far away from Zamboanga in the 1960s, so that he will not contract the virus that spread like an epidemic at that time. Eventually, his stay with his Tiyang Caring became more permanent, with him jokingly saying that his Tiyang and other relatives did not want to return him anymore.

In his elementary years, he studied at San Beda College. He said that early on, his teachers noticed that he had a penchant for writing. They encouraged him to write and join contests, some of which he won. Looking back to the interview, these early wins of Atty. Nick somehow foreshadowed how he would eventually be a multi-awarded creative writer. These wins made him feel both happy and proud. But he said that other than writing a lot back in elementary, he also learned to read more. “A lot of teachers (made me) interested in reading kasi writing and reading goes together. If you read a lot then most likely you will also like to write as a form of self expression” he said.

Going to the Philippine High School for the Arts in Makiling came as a surprise to his Tiyang Caring. “It came as a surprise when he showed us that he was accepted in the Philippine High School for the Arts as a scholar of then First Lady Imelda Marcos” she said when you interviewed her. It tallies with what he said earlier on how he auditioned to enter the prestigious high school without informing anyone in his family, especially his Tiyang Caring. You take note of the fact that he studied in a high school dedicated to the arts and surmise that this is probably one of the early indications of his inclination to creative writing.

After graduating from the Philippine High School for the Arts, he then moved on to study at the University of the Philippines Diliman, where he initially took Theater Arts as a scholar of Dr. Lucrecia Kasilag. “(But) Even as I was taking up theatre, my Tiyang Caring kept saying ‘you should take something else because you will not be able to live being a writer alone’” said Atty. Nick. Asked later on why, as Atty. Nick fondly calls her, Tiyang Caring said so, she said “I hope nobody gets offended with what I will say, (but) writers do not rise financially compared to other professionals”. And so he heeded his Tiyang Caring’s call and took up units in Political Science. You thought that this could be another sign, this time for his inclination towards law. But you are later on disappointed after learning that he just took up units in Political Science since “it was the most convenient (course to take)”. You sigh in desperation, wondering if there was any indication ever that he would eventually become a lawyer.

As if in response to your mental question, Atty. Nick starts narrating how he eventually got into law school. He told you that he initially did not want to go to law. He did not personally know what a lawyer did, and if he wanted to do what lawyers did. “When you’re young naman you do not know what to do. You think you just want to take a vacation”. But his Tiyang Caring did not stop nagging him to take up law. He eventually took the Law Aptitude Exam (LAE) for the UP College of Law, and passed.  He said that after passing the LAE he thought his Tiyang Caring would eventually stop nagging him and allow him not to take up law. “(But) they said you should go to the first year law class because can you imagine a lot of people want to be a lawyer and take up law in UP but they didn’t pass and you passed and if you pass that chance it is nakaka-sayang” said members of his family. With this in mind, he said, he took up first year, striking an agreement with his family that if he did not like law school, he could quit. “I didn’t like (law) and they kept saying ‘No no no you just continue!’ until finally I sort of enjoyed it already, graduated, took the bar, and became a lawyer!”

THE LAWYER
After learning some of the important details of his early life, you now move on to asking Atty. Nick more about his career as a lawyer. You find out that he is currently working at the Senate of the Republic of the Philippines as the Service Chief of the Legislative Research Service. His task, which you found on the website of the Senate, includes conducting “researches and studies on major legislation, policy issues, and other specific legislative concerns of the Senate”. You also took note of the fact that his office “prepares opinions, analyses, briefing papers, and other forms of technical research”, which you immediately linked to his creative writing.

But before his current career at the Senate, Atty. Nick already worked as part of former Senator Edgardo Angara’s legislative staff in the 1990s. In an interview with Director Joy Yuzon, a co-worker and former classmate of Atty. Nick, you learned more about his work ethic as a lawyer.

She told you that when they first worked together, Atty. Nick was a new lawyer back then, tasked to attend committee hearings, do research, and prepare committee reports for the committees Sen. Angara chaired. She was familiar with Atty. Nick’s creative side, having seen him as a student back in their law days. Although serious in his studies as a lawyer, he still had a light side, she recalls, sharing a memory of Atty. Nick during “Malcolm Madness”, where law students had an opportunity to spoof their professors. She noted that Atty. Nick turned out memorable reworked covers and skits during this time, bringing out his creativeness. She recalled that although Atty. Nick took a break from his Senate job, she still bumped into him at the National Center for Culture and the Arts where he was a consultant, a testament to his affinity to the arts.

He then worked as an Intellectual Property Rights lawyer. He saw this phase of his life as one of the challenging parts of being a lawyer. Going after counterfeiters naturally entailed many dangers to his life. He naturally became stressed due to these numerous death threats, which eventually led to him temporarily leaving his profession as a lawyer to recuperate from his heart bypass and  cancer procedures. “Too much stress is harmful” he said.

After his narration of his work as a lawyer, you ask him what he finds most fulfilling as a lawyer. “A lot of things in our society are cropped up by law. So if you know the law and you know how to reason using the law (it’s called legal logic), you will not only understand how the world works but you will also be able to make it to move in the way you want it to move”. Intrigued with his answer, you move on to explore the lighter side of Atty. Nick.

CREATIVITY AT WORK
Moving on to discover Atty. Nick’s creative side as a writer, he quoted his former mentor Virgilio Almario, saying “the history of poetry is a history of breaking out”. You think that this quote is very appropriate since in order to create works that are not at all serious, one must breakout from all forms of normality and feed in fun to work.

You learn that he tries to write both in English and Filipino, being proficient in both languages. He even tells you that given the chance, he would even write in Ilocano and Bisaya, should he learn to write in either dialect. He tries to be as diverse as possible in his works, trying to transcend all classes of potential audiences.

When you asked him what kind of literary pieces he writes, he said that it is mostly for theatre and poetry. He is quick however, to add that not everything he writes, he shares to everyone. “Some of my writings I keep to myself, some I share to some friends only, some you share it with your FB or blog. I think it is ingrained in me that when there is something I want to talk about I write it”. Asked what inspires him in writing, he replies “A lot of stuff inspires me, sometimes I read the newspaper and I say ‘oh this makes a good play’ or sometimes something happens to me on that particular day, I’m sad or I’m happy or I’m anxious then I have this urge to write it”. He stresses that a creative writer cannot rely on inspiration to work, saying that “sometimes you don’t accomplish much kasi ‘di ba inspiration does not come on a regular basis, sometimes it may come once a year, twice a month, sometimes none at all”.

MERGING THE TWO
Researching on the works of Atty. Nick, you chanced upon a poem of his entitled ”Tanaw Mula sa Court of Appeals”. You thought it sounded a bit related to law and decided to ask him more about it. And true enough, that particular poem came about because of his experience at the Court of Appeals. “It tackles the separation of classes, parang on one hand there is this justice system from the point of view of someone who is trying to figure out what is happening by just looking at the view and finding how unjust the ordinary and normal life is parang you don’t have to look far to encounter an injustice because right outside the window of the Court of Appeals you already find an injustice happening” he said, explaining how his perspective of law and justice affected the way he formulated his poem.

You also find out that it is not just law that has an impact on his creative writing. Even the arts help him in his job as a lawyer. The example he gives to you is the process of writing his court pleadings. He says to you that he thinks of it in terms of play production. “Pre-trial is actually pre-production and then trial is actually production and then pleading is actually post-production.so you know I always try to make both of them make sense by incorporating what I know from one field to another”.

“The legal profession has provided me with a lens by which to view the world” he said. According to Atty. Nick, being a lawyer provides him with a different perspective, especially when writing literary pieces.

FITTING THE PUZZLE
What makes Atty. Nick renowned in the literary world is the fact that he is a Palanca Awards Hall of Famer. You are not really familiar what this means, and so you ask him more about it. He explains to you that the Palanca Awards is one of the oldest and most prestigious awards a writer can ever get. To be awarded is like a rite of recognition to the literary world. “But to win the Palanca is not the challenge. It is being inducted in the Hall of Fame”. You asked him more about it since it sounded a bit intriguing. He further explained that to be part of the Hall of Fame, one must win at least five first prize Palancas, a testament of one’s adeptness in creating literary masterpieces.

You immediately followed up on his creating literary masterpieces by asking what extremes he reaches when creating works. For him, an extreme he would consider is playing with the audience’s emotions, confusing the viewers which emotion must be felt in certain parts of his plays. “But you never really know what extremes you have reached yet, since you cannot define exactly what an extreme is”. You further ask him if he thinks his tackling diverse topics in his writings are a bit risqué, and he replies that in writing, you really have to sometimes breakout from the norms.

You discover that he is of the ideology that literary pieces must be used to express certain ideas. He cautions writers, however, that if they are poorly written, then they fail as literature. “Practice, push yourself until you know that you have done your best. It is hard work, writing is hard. It cannot be a past time, it is not a hobby, you have to keep on doing it if you want to be a writer” says Atty. Nick when asked to give a message to aspiring writers.

After a few more minutes of chatting after your interview, you finally part ways. But in your parting, you know that your work isn’t over yet. You know deep down that there is still something more to Atty. Nick. It doesn’t seem complete.

BEYOND LAW AND WRITING
According to his Tiyang Caring, Atty. Nick is a totally different person outside his work. Although you cannot disturb him when he is working, even to give him food, the few times he has time to spare, he spends it with her. “He stays with me for a whole day at the mall which pleases my barkada and confessor, who says I am very blessed” says his Tiyang Caring.

His Tiyang Caring says he has shown that he can work both law and the arts together, and so she believes she has no regrets whatsoever in raising him. Director Yuzon shares the same sentiment on how Atty. Nick balances law and creative writing, saying “His work ethic as a lawyer and creative writing method complement each other.  In my humble opinion, it’s a formula that works well and produces well-written literary pieces”.

He admitted to you that early on he tried separating his persona as that of a lawyer and that of a creative writer. He eventually saw that it is best to incorporate both into one personality, using Dr. Jekyll and Mr. Hyde as an example of whom he does not want to be.

You asked him then who he is. And he answers you with a smile: “I believe I am a creative lawyer”.




**All quotes have been printed in toto
**The author would like to thank the following for graciously answering the interview questions:
      Atty. Nicolas Pichay, the subject of this feature article,
      Ms. Caridad Pichay, his loving tiyang, and

      Director Joy Yuzon, co-worker at the Senate and former classmate